the life of miss linh

emmaswans:

once upon a time → parallels

posted 12 hours ago / 1,433 notes / reblog

thecakebar:

Lemon Sunflower Cupcakes Tutorial (with mini oreo center)

posted 13 hours ago / 2,817 notes / reblog

marchionessofblackadder:

ravenclawslibrary:

andthenagainbegin:

Dead.

Let’s be honest, Ginny and Josh totally think they are her real parents.

NO, EMMA CALLED SNOW “MOM” ON MOTHER’S DAY.
DON’T EVEN LOOK AT ME.

posted 18 hours ago / 2,160 notes / reblog

posted 1 day ago / 101,240 notes / reblog

posted 1 day ago / 503 notes / reblog

Even in our final moments, we need our parents.

(Source: bloodydifficult, via belledearie)

posted 1 day ago / 755 notes / reblog

posted 1 day ago / 123 notes / reblog

castiiel-wiinchester:

An intense conversation

posted 1 day ago / 11,055 notes / reblog

posted 2 days ago / 14,052 notes / reblog

posted 2 days ago / 101,100 notes / reblog

posted 3 days ago / 185,424 notes / reblog

posted 3 days ago / 9,564 notes / reblog

69shadesofdan:

yesterday i woke up in the middle of the night because i thought i came up with an amazing text post idea and this is what i saved in my drafts while i was asleep and i just

(via leonardodiretardo)

posted 3 days ago / 24,722 notes / reblog

posted 4 days ago / 10,121 notes / reblog

brofiling:

white privilege radically changes the appearance of Tsarnaev bros
This is how brofiling actually works in real life. The Week Magazine ran with this image as their cover sketch.
Just so it is said, clearly and unambiguously: the Tsarnaev brothers are white guys. They are white. The FBI’s own wanted poster for Dzhokhar Tsarnaev lists his race as “white”, but you would never know it from the cover image on The Week.
Hold up the cover to someone else, and ask them how many white people they can see on the cover. Chances are they will identify Gabby Giffords on the top left and the image of the Boston policemen (all white men) on the top right, but how about those two guys in the center? Nope, not a chance that anyone would say these caricatures look white.
Why? Because in addition to being white they are also “Muslim”, which is the current dehumanizing “Other” that whiteness has constructed as a sanctioned target for violence in US popular culture.
This is how white privilege works in media representations and everyday life: when the criminal suspects are demonstrably white men, seize upon any aspect of difference and magnify it such that they become Othered, non-white, and menacing. If it is too hard to do so, simply dismiss them as aberrations and isolated cases of insanity. This is also how white culture, specifically the process of whiteness in conjunction with white privilege, portrays several non-white identities, including those that are now considered white but at one time were decidedly not so. For example, see here for how the Irish were depicted as violent apes or lazy drunks in the late 1800s to early 1900s.

posted 4 days ago / 15,699 notes / reblog